Nat Geo WILD HD explores nature and extraordinary creatures of land, sea and air. The high-def channel (720p/1080i) can be found on FiOS channel 632. Nat Geo WILD HD was launched in the U.S. on March, 2010.

Investigation Discovery HD provides insight into criminal investigations and other crime-related events. The high-def channel (1080i) can be found on FiOS channel 623. Investigation Discovery HD was launched late 2009.

Verizon says they now offer up to 142 high-definition channels and over 3,300 video-on-demand (VOD) titles every month.

The episode features the Mercedes-Benz Classic Center in Irvine, California, and presents more than a dozen priceless classic automobiles and the 2011 Mercedes-Benz SLS AMG.

“Seeing the classic cars come to life in 3D will make viewers feel like they’re in the driver’s seat,” said Tricia Lynch, director of content strategy and acquisition for Verizon.

WealthTV’s 3D VOD program is available to all FiOS TV customers across the country who have a 3D television set, 3D glasses and a high-definition set-top box. FiOS TV customers can find the 3D “Wealth on Wheels” episode in the “High Definition” VOD folder, under HD 3D.

Wealth TV’s 3D production crews are also working on travel, adventure, culinary and documentary programs to provide more content for the network.

WeathTV can be found in high-definition on FiOS’ channel 669.

Cablevision already supplies the standard-def feeds of the channels for AT&T’s U-verse service, but apparently the cable provider assumes the high-def and standard-def feeds as separate entities, therefore preventing AT&T from receiving the higher bandwidth feed.

This news comes via Multichannel’s article yesterday, which also mentions Verizon has filed a similar lawsuit against MSG/Cablevision for withholding of the HD feeds to the the MSG networks.

“Thanks to our conversion to an all-digital network, RCN is a leader in providing HD programming. We are pleased to add these seven HD channels from the MTV and BET Networks,” said RCN’s Strategic External Affairs & Programming Senior Vice President Richard Ramlall. “In keeping with our commitment to provide the widest amount of viewing choices for our subscribers, these networks, with their highly entertaining content, are a perfect fit.”

RCN serves customers in the New York City, Boston, Chicago, Washington, D.C., Philadelphia and Lehigh Valley, PA areas. The company provides all-digital and high definition video, high-speed Internet and premium voice services under the brand names of RCN and RCN Business Services.

Tennis Channel combines sports, health, fitness, pop culture, entertainment, lifestyle and travel programming. The network has telecast rights to the: US Open; The Championships, Wimbledon; Roland Garros (French Open); Australian Open; US Open Series; and the Davis Cup.

“This deal helps us with important strategic content initiatives and gives our U-verse TV customers access to even more exciting sports content, and in thrilling HD,” said Dan York, president of content, AT&T.

“AT&T’s widely distributed launch of Tennis Channel in the development of their forward-thinking business is further affirmation of the unique value of our pro-sports and lifestyle service,” said Patrick Wilson, senior vice president, distribution, Tennis Channel.

AT&T currently offers at least 130 HD channels through their IPTV-based U-verse television service. Their DVR with Total Home capability lets you record up to four shows at once and view them on any connected TV in the residency.

“With ESPN 3D, U-verse TV customers can experience the highly anticipated 2010 FIFA World Cup™ for the first time ever in exciting 3D, and we’re looking forward to delivering more ESPN 3D coverage throughout the year,” said Dan York, president of content, AT&T.

3D programming is supported on all customers’ existing U-verse DVRs and receivers, without any additional set up or U-verse equipment upgrades. Customers will also need a 3D-ready TV set and 3D glasses.

ESPN 3D is available on channel 1610 for U-verse TV HD customers (with the U100 package or above) who subscribe to the 3-D Technology Package for $10 a month.

The 3D broadcasts of the World Cup will begin on June 11, featuring South Africa vs. Mexico at 9:30 a.m. ET on ESPN 3D. ABC will carry some of the matches, including England vs. USA on June 12 at 1:30 p.m. ET. For a full schedule of ESPN/ABC coverage click here.

DirecTV and Comcast have already made deals to carry ESPN 3D. Expect other carriers to announce last minute deals this week to carry the network.

AT&T is also offering U-verse TV customers a 2010 FIFA World Cup app which includes a Multiview — allowing you watch up to four ESPN channels at one time in addition to other information.

With Comcast and Time-Warner now moving forward with video paywalls, are the cable companies doing what Hollywood and the music industry couldn’t do?  Profit from the Internet… by forcing viewers to keep their cable subscriptions?  That reality is coming sooner than you think.

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Hulu… you said you were aliens and that’s how you rolled.  You promised good times with unlimited television shows, movies, and clips, all in high quality and subsidized by ads through the goodwill of Disney/ABC, NBC and other media conglomerates with an interest in beating Google’s YouTube at its own game.  You promised to transform the way people consumed entertainment, and your approach really was a grand and noble effort in the right direction… a future where cable subscriptions would become superfluous and where the consumer would determine the programming choices rather than a distant scheduling guru with dubious tastes and a mathematical algorithm or some arcane Nielsen report.  Voila!  Shows that would once be consigned to the syndication or the land of forgotten pilots (where Amelia Earhart probably watches them endlessly) would be well loved by the niche, the quirky and the geek in every demographic.

Ah Hulu… you were pretty awesome.  But you say you’re going subscription (currently delayed), and worse, there’s actual competition out there that may do things better than you do, and even worse?  You’re hated by the cable industry… in particular Comcast and Time-Warner, and a host of other, lesser cable moguls who see you sapping away their profits from ads, while they pay hefty rebroadcast fees to continue to carry network shows and studio movies.  You’re changing, Hulu… due to pressure not from consumers, but from your competitors, and that’s a shame.

Apple TV… you still haven’t quite come close to your promise: to bring the best in high-definition viewing, à la carte, into the home… merging the computing experience with television to make it easier to find video-on-demand programming while also allowing for unique experiences like YouTube and Flickr to be seen on those new HDTVs.  Still young, you’ve yet to make major licensing arrangements and are facing the same hostility from network and cable competitors as Hulu has experienced.  This isn’t the music business, apparently… there’s still life in old dinosaur methods of content delivery when it comes to movies and teevee shows, and the congolomerates and CEO’s that control them aren’t too keen on giving up their domination of content delivery services just yet.  Thus far, Apple TV, you’ve yet to support Silverlight for Netflix viewing via Boxee’s app though Netflix may soon be more accommodating to you, as their iPad app is currently the device’s killer app and an iPhone version is reported to be on the way (perhaps with iPhone 4.0).  You also have yet to really score with any alliances with Amazon, Pandora (though Boxee’s app supports it, Apple TV does not directly support it), any other internet radio services outside of iTunes offerings, or major content providers or aggregators such as Hulu, Comedy Central, CBS and other heavy-weights in broadband delivery of popular entertainment.  Oh, and don’t forget… Google is about to launch their own Internet TV software that will directly compete with your core concept, even as you’re about to launch your own subscription service for teevee (that is, if you can get any of the majors to sign on and license content to you).

And YouTube…  well, let’s just say Happy 5^th Birthday, and leave it at that.  You still offer the best way to get amateur and prosumer produced content, legal or not, but have yet to harness any viable means to get legitimate content that would keep viewers glued to the site for more than the several minutes it takes Hitler to rant about being a meme on YouTube.

Only a few years ago, it seemed that content delivery was getting simplified, and the offer of free content for viewing a few ads seemed a rather perfect way to time-shift favorite cable shows such as South Park and The Daily Show as well as network favorites like Lost and CSI.  It seemed, for a brief moment in time, that the old media companies were realizing that in order to stem piracy of their content and prevent a nearly complete obliteration of their profit line from occurring similar to what the music industry experienced when CD purchases cratered due to illegal and legal means of procuring music.  They seemed to be realizing that they had to adjust to new realities in viewership and consumption of content.  No longer were people tied to programming schedules with time-shifting devices like TiVo and other DVR’s (a movement which the cable companies quickly jumped on and dominated… taking the glow off TiVo completely).  It seemed like a good bet for regular ol’ teevee programming anyway… that it would remain free when seen over a broadband network rather than a broadcast transmission via the digital airwaves or via rebroadcast thanks to a cable, satellite or fiber optic provider.  After all, there were still ads to contend with… it seemed like a good quid pro quo similar to how decades of viewers traded off a few minutes of their time for free entertainment.  But slowly, ever so slowly, the new reality is becoming apparent…  Already cable shows once available for free, streamed via broadband Internet protocols, are becoming scarce.  Hulu is no longer the sanctuary for free it once was, and paywalls are going up as fast as the cable companies can code ‘em.

One of these paywalls is known by a friendly moniker: TV Everywhere.  Except it isn’t.  Aside from not being available everywhere as it name indicates (no mobile abilities, no direct streaming to HDTVs).  It’s simply a browser bound way of locking you out of live streamed or stored content based on a verification ID… namely your cable account’s user name and password.  That’s right… without a cable subscription, you cannot view content à la carte, on-demand.

This first came to my attention when NBC, MSNBC and their other NBC channels with an online presence blocked most Olympic coverage from the Internet by way of a TV Everywhere-type paywall.  I figured, Comcast probably had something to do with it, and I was correct when, in early March, Sen. Herb Kolh (D-Wisconsin) of the anti-trust section of the Senate Commerce Committee sent NBC a letter expressing his alarm at finding Olympic content behind a paywall requiring a cable subscription for access.  Kohl implied that this type of lock-down would be the end of free television as content increasingly moves away from “broadcast” networks to online services.  It seems Comcast didn’t want the Olympics to be available anywhere but exclusively through cable service (unless you had an HDTV antenna, that is), and possibly colluded with other cable companies to create a lockout process.  Now, remember, back in the days of network when cable was weak or simply non-existent… that kind of sports content was free for viewing, and even re-run endlessly in case you missed it.  Yours for the price of a several short ads, and your attention span.

Consumer groups are up in arms about this, of course, but it’s almost impossible to stop the Comcast juggernaut from taking over NBC and removing content from Hulu and other currently free broadband streaming services or aggregators.  Joining Comcast (who had previously considered going solo with their own OnDemand paywall system, and their current Fancast site) in shutting out viewers who don’t have cable subscriptions, is Time Warner Inc. and their chief, Jeff Bewkes.  In March, Comcast and T-W got together to put forward the TV Everywhere initiative and start spreading the gospel of their lockdown scheme.  Unless you can authenticate, or prove, your subscription commitment to one of the signatory cable companies, you soon won’t be able to get much in the way of content via your computer or aggregator such as Boxee.

As more folks cut back their budgets for a variety of reasons, cable service has been one of those things to go… after all, you can only watch so much content, and much of what cable offers in its tiered blocks of programming isn’t really premium content anyway.  Much of it is, in fact, regular teevee content from the networks, paid infomercials, home shopping, niche infotainment, foreign-language shows, and other endless infotainment type shows from cable-only networks such as History, Discovery and A&E.  Finally, there’s some original programming that, when you come right down to it, is really the reason you get cable, other than having access to sports and 24-hour news.  For even more premium content, like Hollywood movies, you must pay more for a separate tier.  Cable companies are so good at getting you to pay for things you don’t use, that they even separated HD content from SD content and have you pay more for that as well (though that’s becoming a point of competition among cable companies, you gotta figure why you’d pay more for the same content in HD… sounds like just another cable company scam, and you’d be right on for feeling that way).  Since viewers can really only watch one show at any given time (if you’re one of those fragmented families you might watch more at once), and since most of that content isn’t really of interest (we all have our niche tastes, but tend to gravitate toward popular general entertainment), we actually pay a huge cable bill every month for content we have no intention of consuming.  To take in more content than one can view is physically impossible without help from a time-shifting device such as a DVR.  For a recession weary public that has cut back on just about everything not deemed a necessity, it seems absurd to keep paying that all-encompassing cable bill, rather than just tune in for the shows you want at a lower cost or, in the best of all worlds, an à la carte service that allows the customer to program their choices for pennies on the dollar.  After all, remember, much of this crap used to be free.

The cable companies shudder at the notion of ridding oneself of their services… Fat subscriber rolls keep them happy, and when there is churn without recovery (i.e. they lose a customer) they can’t sleep at night.  After all, those rebroadcast fees they pay to send shows from NBC, CBS, ABC and FOX your way won’t pay themselves.  The cable giants also point out that putting shows behind a paywall means better access to more shows with higher quality streaming available to all… for the price of a cable subscription.  Of course, they’ve yet to hammer out how paying for a low-end tier will allow access to items generally blocked when paying for low-end cable service.  Would someone with a basic package be able to get Expanded content like 24-hour news?  Would HBO and Showtime premium content be offered as well?  Sure higher quality content and more of it sounds great, but at what cost and for what kind of compromise? Those are the devilish details we’ll soon be forced to reckon with as TV Everywhere gains currency with more cable companies eager to choke-off the flow of free content.

TV Everywhere, which has been tested for over a year, can be seen as simply a way for cable companies to continue with the old model of doing business.  Rather than the consumer dictating how content will be delivered and accessed, the cable companies are adamant about being the gate-keepers no matter how content is viewed.  This will result in consumers being forced to hang onto expensive cable subscriptions if they want to access online content, and fattens the billions of dollars generated in subscription revenue rather than offering the consumer savings and a service that is tailored to their needs.  Heads of other networks are seeing the promise of keeping fat bottom-lines rather than offering consumers a free-for-all paid only by advertising dollars.  In the end, it remains to be seen how the roll-out of paywalls will ultimately affect online viewership.  For every JustinTV, which is a huge pain in the ass to use and see a good show or sports event, there’s an MLB.com that understands what its customers want and, though they charge a hefty price tag, more than deliver the goods (though they have their own blackout issues that prevent customers from seeing local and big-market games in favor of arrangements with old-media companies and arcane licensing agreements).  Consumers have already proven time-and-time again, that if a system is too onerous or costly, they’ll turn to alternatives such as grey-market goods and services… in this case P2P file networks, torrents and alternative streaming sites.

If TV Everywhere will be the only way to view online content, then it must take a page from those already doing it successfully like MLB.TV, and yes… Hulu, too.  If it is to be the Hulu-slayer and also crush Apple in its own quest to control content, then TV Everywhere should also offer an alternative to those who shun cable service.  Having a cable subscription should not be the only way to access content that, in earlier eras, used to be free…  but in the future it seems, free as a concept will be a relic of the past.

The lockdown creates a trust issue, with cable companies becoming the only path to video content in any medium.  This would seem to be an oligopoly that would hinder growth of alternative forms for receiving video content.  One particular issue already at play:  Cable companies, along with satellite and fiber-optic/phone companies, are dividing up the online world into regions and territories similar to the way they carved out markets for themselves as old media companies.  This means that unless you live in a certain region, you’re going to be blocked from that content.  Therefore, if I subscribe via Charter Communications in the San Fernando Valley, I still cannot get access to content from other cable companies via their sites because they’re out of my region.

Increasingly, we’ll see more of this anti-competitive shutout as TV Everywhere, or other paywall solutions, become the norm on the once formerly neutral Internet.  Consumers of broadband VOD content should be writing their congressperson right about now… just sayin’.

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The service is offered at no extra charge to Verizon FiOS TV customers, which also allows remote scheduling and pay-per-viewing online. Verizon says the quality offered to your PC will be HD, although no format specifications were given.

Verizon says they are also working on making deals with FOX News, CBS, MTV Networks, Hallmark Channel, Smithsonian Channel, and the Tennis Channel to provide the same access to customers.

Time Warner Inc. Chairman and CEO Jeff Bewkes said, “In less than a year, we’ve been able to launch our vision of delivering TV Everywhere to nearly 20 million customers nationwide.”

FiOS customers will be able to access the Turner shows at either www.verizon.com/fiostvonline or through the TNT and TBS websites which are soon to launch.

“These HD additions help us with several strategic content initiatives and allow us to continue to deliver a broad and diverse range of HD programming, with more HD channels than our cable competitors,” said Dan York, president of content and programming at AT&T.

AT&T says their U-verse HD channel offerings exceed that of cable’s in every market.

Comcast Network also broadcasts live college games including CAA and Ivy League basketball, as well as college lacrosse. Local access programming is also shown on the network.

The Comcast Network is available on FiOS channel 99. However, no mention was made of the channel’s availability in HD even though Verizon already carries Comcast SportsNet in both standard and high-def. (We’ll keep you posted on this.)

“Our goal has always been to provide our customers with the best in national and regional programming,” said Mary Yarborough, vice president of marketing for the Philadelphia region.

Verizon is taking a more conservative approach the new technology, with Verizon’s Shawn Strickland stating, “new technology – especially entertainment opportunities as great as 3D TV promises to be – must be accommodated and delivered rationally and superbly, just as we have done with our HD TV offering.”

Cablevision lead the way this year by offering a live broadcast of an NHL hockey game from Madison Square Garden on March 24th. And, cable providers including Cox and Comcast are covering The Masters golf tournament in 3D this week. DirecTV will launch ESPN 3D in June 2010 on its branded “N3D” channel, starting with coverage of the 2010 FIFA World Cup.

The way it works is you log in to Yahoo! Sports online and select your teams. The picks will automatically show up in the U-verse TV app, accessible from the “Go Interactive” button on your remote. Winning teams will show up green, losing teams red. The U-bar app also shows weather, stocks and traffic info.

The Yahoo! Sport app will be available for U-verse TV customers at no extra charge.

MSNBC HD can be found on FiOS channel 603. You must have Verizon’s basic “Prime HD” plan in order to get the channel.

“Launching MSNBC and MSNBC HD on AT&T U-verse in the broader Connecticut area could not come at a better time,” said Phil Griffin, President, MSNBC. “MSNBC has established itself as ‘The Place for Politics,’ achieving historic ratings success, and we look forward to being widely available in the Connecticut area.”

The MSNBC channels were previously available in other AT&T U-verse markets. U-verse offers 120 HD channels in Connecticut via their IPTV service, which also includes voice and internet.

The standard-def 480i feed will be available on FiOS channel 103 in parts of New Jersey, Long Island, the Bronx, Brooklyn, Westchester, Rockland and Putnam counties. In New Jersey, MSNBC will launch by Feb. 11.

Verizon also says it has made its FiOS TV service available to over 800,000 residencies in the five burrows area since 2008, and will continue to expand to more neighborhoods this year. “Rollout of FiOS TV is on the fast track in the city,” said Christopher Creager, president of Verizon’s Northeast region.

MSNBC HD launched in July ‘09 and is available in HD through Cablevision, Time Warner Cable, Dish Network, AT&T U-verse, and other providers.

The new HD channels include Cartoon Network HD, MSNBC HD, TV One HD, and TBN HD (Dec. 15). The fifth addition is available to HD Premium package customers who will now get WFN: World Fishing Network HD.

AT&T has also added VivaTV Plus as part of the Filipino Package — providing movies, concerts and TV shows in Filipino. For Cantonese viewers, TVBe provides news from Hong Kong, entertainment news, and additional Cantonese-focused programming for $17 a month. Both of those channels are available only in standard-definition.

AT&T added over 60 HD channels this year, keeping them up to speed with Verizon’s FiOS TV and helping them surpass cable TV HD channel counts in most markets they serve.

The company also reached a milestone 2 million U-verse TV subscribers as of last Wednesday, half of them added within 2009.

U-verse customers must have the U-verse TV HD Premiere to receive the channel. The IPTV service from AT&T currently offers 115 HD channels nationwide.

“Fishing is one of the most popular leisure activities in many of these areas, so we are delighted that AT&T recognizes WFN as the best option to satisfy this underserved community,” said Mark Rubinstein, President of WFN.

AT&T’s U-verse TV service is currently available in 22 states and recently reached its 2 millionth subscriber.

Also see our story regarding new HD channels added to the U-verse lineup.

Some premiere titles this month on HDNet Movies include “A Few Good Men” (Monday, Dec. 14 at 9:00PM ET), “Finding Neverland” (Wednesday, Dec. 16 at 9:00PM ET), and “The Dating Guy” (Thursday, Dec. 17 at 8:00PM ET).

The network is also hosting national HD premieres this month of “The Confession” starring Alec Baldwin, Ben Kingsley, and Amy Irving (Tuesday, Dec. 15 at 6:00PM ET) and “Spies Like Us” starring Chevy Chase, Dan Aykroyd, and Steve Forrest (Wednesday, Dec. 16 at 2:30PM ET see additional times).

Some HDNet’s original programming includes “Ring of Honor Wrestling,” “Dan Rather Reports,” “Fight Night,” and “Get Out.”

“HDNet and Verizon FiOS are a winning HD combination.  We offer all of our programming in true high definition, and when delivered over Verizon’s all fiber-optic network, the pure HD picture-and-sound quality will just blow you away,” said Mark Cuban, chairman and co-founder of HDNet.